I find I don’t have so many opinions these days, more just feelings and questions. And one thing stoking these feelings lately is the idea that fiction writers shouldn’t talk about politics.
When I was a younger reader, I certainly wondered why on earth they would. Unless an author was writing contemporary political fiction, what would real-life arguments that no one seems able to agree on have to do with their work?
Then I started taking my own writing more seriously and realised, wow… actually, politics has A LOT to do with fiction.
Let’s set aside the idea of “moralising” or “sending a message” here. It’s kind of obvious this happens, and whether an author intends for their fiction to push an agenda is always down to the individual author and the piece of work in question. Also, this isn’t the thing I want to talk about today.
I want to talk about world-building. Specifically, how worldly mechanics and market forces help shape the setting of a story and drive the drama. Even in romance fiction, where the conflict is about how the MC and LI succeed or fail in answering the call of love, it’s stuff like politics, economics and social issues that offers fertile ground for interesting conflict to grow.
Take Sarah Smith’s Simmer Down as a contemporary example. If Nikki lets Callum nick her parking spot, her sales will drop, resulting in less income to support her family. Their conflict over food truck territory is ultimately an economic one. This novel may not feature US economic policy per se, but it does examine the impacts of capitalism on the individual, albeit in a super hot, sexy and entertaining way.
Speculative fiction, by necessity, may include its fair share of politics, which I think stems from authors having to create an entire universe by extrapolating from real-world circumstances and events. Policy influences how people behave, decides how technology may be created and used, and deems what actions are acceptable when we want something we don’t have.
The effect is subtle in Pia Manning’s Star Brides series, where xenopolitics encourages the interspecies marriages that lead to romantic tension, giving us a taste of how humans and aliens might resolve differing ideologies within an intimate partnership. In my own work, It Starts With A Kiss, the romantic conflict occurs against the backdrop of issues surrounding industry automation and regulation of UBI (universal basic income).
But then there are stories where you also get to see characters actually do a politics. Stories like Frank Herbert’s Dune, A.R. Vagnetti’s Storm series, Stephanie Meyer’s Twilight universe (the Volturi), and James S.A. Corey’s The Expanse.
But let’s get back to present-day realism.
We share this world. We are all connected. Sometimes we mean to be, but most of the time it happens by accident. The events of 2020 highlighted quite profoundly how strong our connections are, even when we can’t see them.
Politics (governmental or otherwise) is the means by which we negotiate the influences and resources within our world. It’s in the air we breathe, the water we drink, it even governs the ground we walk on. Just try setting foot in a restricted area and you’ll get a first-hand lesson in how your society regards “property ownership”.
If we’re lucky enough to be aligned with the dominant political and socioeconomic position where we live, we get to take it all for granted. That doesn’t mean we’re apolitical, it just means we don’t have to think about it all the time. We get to pretend we’re happy-go-lucky and stuff doesn’t matter.
If that’s not the case, though, then we remain almost constantly aware and conscious of the fact that everything stems from politics. We may never get the experience of not thinking about it.
The book on top of your TBR pile got there because certain worldly forces permitted it to be. Maybe you live in a place where books like that are allowed to be printed and sold. The author must have been afforded the ability to sit and write it, then to have it be published and distributed. And you were able to acquire it because someone somewhere paid good money for it to be at the right place at the right time. All of the forces that put that book in your hands were shaped by the negotiations in our shared world.
I daresay fiction writers must be aware of this, at least on some level, in order to write relatable and interesting stories. Even when we make the argument that fiction should be about helping readers escape from vexatious politics, writers must still create those places they can escape to. These places may not feature political conflict, but politics—in some fashion—will always be relevant.
Now, I don’t think fiction writers should necessarily talk about politics. But my feeling is there may be no reason why they shouldn’t, as politics are necessary to create an interesting world.
And appreciating how worldly forces have enabled me to sit here and write this post, I can’t help but wonder—how can anyone talk about anything without ultimately being political? 🤔